J 2024

Misattributed and Insecurely Ascribed 18th-century Organ Repertory from the Bohemian Lands

MICHÁLKOVÁ SLIMÁČKOVÁ, Jana

Základní údaje

Originální název

Misattributed and Insecurely Ascribed 18th-century Organ Repertory from the Bohemian Lands

Autoři

MICHÁLKOVÁ SLIMÁČKOVÁ, Jana (203 Česká republika, garant, domácí)

Vydání

Folia organologica, 2024, 2657-6082

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60403 Performing arts studies

Stát vydavatele

Polsko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

Organizační jednotka

Hudební fakulta

Klíčová slova anglicky

Organ; organ music; music of the 18th century; music of the Bohemian Lands

Příznaky

Mezinárodní význam, Recenzováno
Změněno: 5. 2. 2025 09:34, Mgr. Jana Michálková Slimáčková, Ph.D.

Anotace

V originále

Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed.