Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed.