DJTL210 Voice in dubbing

Theatre Faculty
Summer 2024
Extent and Intensity
0/4/0. 2 credit(s). Type of Completion: z (credit).
Teacher(s)
MgA. Jakub Mareš (lecturer)
Mgr. Aleš Záboj (lecturer)
Guaranteed by
prof. MgA. Blanka Chládková
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Timetable
Mon 10:15–11:45 722
Prerequisites
Successful graduation of the course in the Winter Semester.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives
Introducing the student to the finishing work of a sound engineer in the production of a Czech version of a foreign-language audiovisual work. Deepening the student's ability to work in a creative team.

The student will acquire practical and theoretical technical knowledge to create a Czech version of a foreign-language audiovisual work, from the preparation of the material to the final finalization.
The student will use their knowledge and skills in their future employment as a studio sound engineer or in the private sector.
Learning outcomes
After completing the course, the student will be able to:
- know Avid Pro Tools software at an advanced level;
- respond to stressful situations that may arise during dubbing creation;
- finalise (mix) the Czech dialogue track and prepare the audiovisual work for delivery to the client.
Syllabus
  • Working with Avid Pro Tools: tools for finalizing audio tracks.
  • Working with Avid Pro Tools: setting up a project to finalize the resulting audio track.
  • Finalizing an audio track: basic rules, finalization itself.
  • Familiarity with control devices: correlator, analyzer.
  • Control after finalization of the audio track.
  • Explanation of the technical requirements of the client.
  • Preparation of the audiovisual work for submission to the client.
Literature
    recommended literature
  • Kopecký, Pavel: Základy elektronického zvuku a jeho kreativní zpracování¬ - AMU, Praha, 2008. info
  • WYNER, Jonathan. Audio mastering: essential practices. 1st ed. Boston: Berklee Press. ISBN 0-87639-094-7. 2013. info
  • TALPOVÁ, Sylva. Kapitoly o dabingu. 1st ed. Brno: JAMU. ISBN 978-80-7460-044-9. 2013. info
  • VLACHÝ, Václav. Praxe zvukové techniky. 3., aktualiz. a dopl. vyd. Muzikus, 2008. info
Teaching methods
Teaching is in the form of practical exercises. It includes cooperation with an actor, director, dramaturge and an editor of Czech dialogues. Students realize the work of a studio sound engineer by real dubbing. The output is a joint work in the form of a completed Czech version of the selected audiovisual work.
Assessment methods
Credits are gained on the basis of attendance (at least 80% attendance) and completion of partial tasks assigned by the teacher, including the final production of the audiovisual work.
Language of instruction
Czech
The course is also listed under the following terms Summer 2015, Summer 2016, Summer 2017, Summer 2018, Summer 2019, Summer 2020, Summer 2021, Summer 2022, Summer 2023.
  • Enrolment Statistics (recent)
  • Permalink: https://is.jamu.cz/course/difa/summer2024/DJTL210