DIFA:DJTL210 Voice in dubbing - Course Information
DJTL210 Voice in dubbing
Theatre FacultySummer 2024
- Extent and Intensity
- 0/4/0. 2 credit(s). Type of Completion: z (credit).
- Teacher(s)
- MgA. Jakub Mareš (lecturer)
- Guaranteed by
- prof. MgA. Blanka Kolegar
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts - Timetable
- Mon 10:15–11:45 722
- Prerequisites
- Successful graduation of the course in the Winter Semester.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- Theatre Management focusing on management and technology (programme DIFA, B-DRAUM)
- Stage Management and Technology (programme DIFA, Div_Pro:B)
- Stage Technology (programme DIFA, B-DRAUM)
- Course objectives
- Introducing the student to the finishing work of a sound engineer in the production of a Czech version of a foreign-language audiovisual work. Deepening the student's ability to work in a creative team.
The student will acquire practical and theoretical technical knowledge to create a Czech version of a foreign-language audiovisual work, from the preparation of the material to the final finalization.
The student will use their knowledge and skills in their future employment as a studio sound engineer or in the private sector. - Learning outcomes
- After completing the course, the student will be able to:
- know Avid Pro Tools software at an advanced level;
- respond to stressful situations that may arise during dubbing creation;
- finalise (mix) the Czech dialogue track and prepare the audiovisual work for delivery to the client. - Syllabus
- Working with Avid Pro Tools: tools for finalizing audio tracks.
- Working with Avid Pro Tools: setting up a project to finalize the resulting audio track.
- Finalizing an audio track: basic rules, finalization itself.
- Familiarity with control devices: correlator, analyzer.
- Control after finalization of the audio track.
- Explanation of the technical requirements of the client.
- Preparation of the audiovisual work for submission to the client.
- Literature
- recommended literature
- Kopecký, Pavel: Základy elektronického zvuku a jeho kreativní zpracování¬ - AMU, Praha, 2008. info
- WYNER, Jonathan. Audio mastering: essential practices. 1st ed. Boston: Berklee Press, 2013. ISBN 0-87639-094-7. info
- TALPOVÁ, Sylva. Kapitoly o dabingu. 1st ed. Brno: JAMU, 2013. ISBN 978-80-7460-044-9. info
- VLACHÝ, Václav. Praxe zvukové techniky. 3., aktualiz. a dopl. vyd. Muzikus, 2008. info
- Teaching methods
- Teaching is in the form of practical exercises. It includes cooperation with an actor, director, dramaturge and an editor of Czech dialogues. Students realize the work of a studio sound engineer by real dubbing. The output is a joint work in the form of a completed Czech version of the selected audiovisual work.
- Assessment methods
- Credits are gained on the basis of attendance (at least 80% attendance) and completion of partial tasks assigned by the teacher, including the final production of the audiovisual work.
- Language of instruction
- Czech
- Enrolment Statistics (Summer 2024, recent)
- Permalink: https://is.jamu.cz/course/difa/summer2024/DJTL210