DIFA:DSPZ006 Výzkumník jako nástroj - Course Information
DSPZ006 Výzkumník jako nástroj
Theatre FacultyWinter 2026
- Extent and Intensity
- 1/1/2. 2 credit(s). Type of Completion: graded credit.
- Teacher(s)
- doc. MgA. Hana Průchová, Ph.D. (lecturer)
- Guaranteed by
- prof. MgA. Hana Slavíková, Ph.D.
Doctoral studies Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Doctoral studies Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts - Timetable
- Thu 12. 11. 9:00–12:00 ucebna_A, Thu 3. 12. 9:00–12:00 ucebna_A, Thu 7. 1. 9:00–12:00 ucebna_A
- Prerequisites (in Czech)
- TYP_STUDIA(D)
Vzhledem k tomu, že se jedná o předmět v zimním semestru I. ročníku studia, nemá žádnou prerekvizitu. - Course Enrolment Limitations
- The course is only offered to the students of the study fields the course is directly associated with.
- fields of study / plans the course is directly associated with
- Dramatická umění (programme DIFA, Draum:D)
- Course objectives
The aim of this two-semester module is to prepare students for the specific context of artistic research, in which the researcher is themselves part of the field under investigation – examining their own creative practice, their own ensemble, colleagues or fellow students. The module does not teach research methodology; rather, it develops the competencies that such methodology presupposes. Specifically, these include:
- understanding one’s own position in relation to the field under investigation and its implications for the validity of findings,
- adopting the practice of keeping a diary and engaging in reflection as both a working tool and a source of data for research,
- developing the ability to maintain a sense of detachment – a meta-position – when assessing one’s own and others’ work,
- developing the relational aspect of the research interview and the ability to recognise the limits of one’s own competence,
- understanding the ethical risks of research conducted within one’s immediate professional environment,
- learning to give and receive feedback and the basics of intervision,
- acquiring mental health management tools that enable the sustainment of long-term research work.
- understanding one’s own position in relation to the field under investigation and its implications for the validity of findings,
- Learning outcomes
Upon completion of the winter semester, students will:
- articulate their own position in relation to the field under investigation and assess what their involvement in the field facilitates and what it hinders;
- keep a systematic research diary and distinguish within it between personal notes and material suitable for research;
- adopt a meta-perspective on their own experience, utilising group readings of their own material to do so;
- recognise the physical and emotional signals accompanying research work and interpret them both as data and as indicators of their state.
- articulate their own position in relation to the field under investigation and assess what their involvement in the field facilitates and what it hinders;
- Syllabus
Block 1 – Who is actually conducting the research here?
Why, in artistic research, the researcher is part of the field under investigation. A map of one’s own roles in relation to the subject (creator, colleague, employee, teacher, friend) and what each of these roles reveals and what it obscures. The heuristic and mental-health role of research. Research as a space to pause and reflect on one’s own practice.
Block 2 – The diary as an everyday practice
Types of research notes (process-based, fieldwork, emotional, methodological). Writing as a tool for thinking, not merely as a record. How to keep notes so that they remain usable over time. What a researcher may and may not record about others.
Block 3 – Distance
Meta-position: techniques for reading one’s own material "through the eyes of another". Signals from one’s own body as a source of data and as an indicator.
Translated with DeepL.com (free version)- Literature
- required literature
- HORNOVÁ, Lucie. Praktický výzkum (Practitioner research). Brno: JAMU, 2023, 193 pp. ISBN 978-80-7460-218-4. info
- JARKOVSKÁ, Lucie – NOSKOVÁ, Martina. Od deníků k výzkumu: Metodologie sociálních věd interaktivně. Praha: Grada, 2026. 288 s. ISBN 978-80-271-5859-1.
- recommended literature
- COLLINS, Hilary. Creative research: the theory and practice of research for the creative industries. Lausanne: AVA Academia, 2010. ISBN 978-2-940411-08-5. info
- SCHÖN, Donald A. The Reflective Practitioner: How Professionals Think in Action. New York: Basic Books, 1983. ISBN 1857423194.
- Teaching methods
Block-based teaching in the form of seminars, 3 blocks.
- Total number of contact hours: 9
- Number of hours of independent study: 27
Teaching methods: reflective and journal writing, text analysis, discussion-based methods, work in pairs and small groups, collective reading of material, individual consultations on the student’s progress in their own research.- Total number of contact hours: 9
- Assessment methods
- Graded module. The requirements are a minimum attendance rate of 80 per cent, the keeping of a research diary in accordance with the agreed arrangements, and the submission of a position paper of 2 standard pages (outlining one’s own position in relation to the field under study).
- Language of instruction
- Czech
- Further Comments
- The course is taught annually.
- Enrolment Statistics (recent)
- Permalink: https://is.jamu.cz/course/difa/winter2026/DSPZ006