In this lecture, I further developed my dialogue with Frank Daniel as a dramatic character through my experience with exploring his lectures at the University of Southern California. In my reflections, I drew particularly on the theories of Martin Buber, and, building on Boris Eldagsen’s ideas about the co-authorial influence of the medium on the resulting work, I explained why, alongside the I-It paradigm, which at first glance might seem the most appropriate for my research, I must also cultivate the I-Thou paradigm in its artistic positions.