Přehled o publikaci

Vocal Renaissance polyphony was an integral part of the instrumental repertoire in the 16th century. This article focuses primarily on the methodological procedure for transcribing/intabulating a vocal work for the Spanish plucked instrument vihuela de mano. In his publication Declaración de los instrumentos musicales, Juan Bermudo guides the player through the basic steps, which the author supplements with insights from practice and already intabulated works by authors such as Miguel de Fuenllana. One of the key aspects is the issue of transposition to ideally utilize the technical requirements of the instrument.