s 2021

Politics and Community Engagement in Doctoral Theatre Research

SATKOVÁ, Naďa and Klára ŠKROBÁNKOVÁ

Basic information

Original name

Politics and Community Engagement in Doctoral Theatre Research

Authors

SATKOVÁ, Naďa (203 Czech Republic, guarantor, belonging to the institution) and Klára ŠKROBÁNKOVÁ (203 Czech Republic)

Edition

Brno, 2021

Publisher

JAMU

Other information

Language

English

Type of outcome

Editing of thematic compilation, editing of monothematic issue of professional journal

Field of Study

60403 Performing arts studies

Country of publisher

Czech Republic

Confidentiality degree

is not subject to a state or trade secret

Organization unit

Theatre Faculty

ISBN

978-80-7460-188-0

Keywords (in Czech)

divadlo; konference; divadelní výzkum; doktorské studium; politické divadlo

Keywords in English

theatre; conference; theatre research; doctoral studies; political theatre

Tags

International impact, Reviewed
Changed: 21/3/2022 19:28, Mgr. Naďa Satková, Ph.D.

Abstract

V originále

This book offers an insight into the political in the doctoral theatre research as it was presented at the 8th Conference of Doctoral Studies in Theatre Practice and Theory organized by the Theatre Faculty of Janáček Academy of Performing Arts in November 2017. It was the first conference focused on a particular topic, with politics and community engagement standing in the centre of everyone’s interest. The essays in the volume discuss domestic abuse against women in India, Polish participatory theatre, Slovenian independence, theatricality of terror, or immersive theatre. They reflect and analyse different cultural aspects and use diverse methodologies.

In Czech

Sborník z konference nazvané Politics and Community Engagement in Doctoral Theatre Research, která se konala v listopadu 2017 na Divadelní fakultě Janáčkovy akademie múzických umění. Byla to první tematicky vymezená konference. Autoři příspěvků (například o domácím násilí na indických ženách, polském participativním divadle, hnutí slovinské nezávislosti, teatralitě teroru nebo imerzivním divadle) používali různou metodologii a jejich texty odrážely rozličné kulturní aspekty.

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