DERZX18 Acting as a gesture of testimony I

Divadelní fakulta
zima 2023
Rozsah
0/30/30. 4 kr. Ukončení: kz.
Vyučující
MgA. Tomáš Hubáček (cvičící)
doc. Mgr. Pierre Nadaud, Ph.D. (cvičící)
Mgr. Petra Riou (cvičící)
Garance
Mgr. Petra Riou
Ateliér Divadlo bez hranic – Děkanát – Divadelní fakulta – Janáčkova akademie múzických umění
Dodavatelské pracoviště: Ateliér Divadlo bez hranic – Děkanát – Divadelní fakulta – Janáčkova akademie múzických umění
Předpoklady
FORMA(Z)
The course Acting as a gesture of testimony offers the student artistic practices focusing on author-actor training and fact-based theatre.
It is designed for students who have an interest in movement and body-based theatre (dance and physical theatre) and intermediality and wish to questioning the relation between theatre and reality.
The course includes artistic project, practical courses, body and theatre training, experimenting with digital media on the stage and open dramaturgical formats enable a variety of advisory and mentoring processes.
Omezení zápisu do předmětu
Předmět je otevřen studentům libovolného oboru.
Jiné omezení: předmět je otevřen pouze studentům výměnných programů
Cíle předmětu
The aim of this subject is:
- to develop a process of cooperative creation by means of training to increase the collaborativity of the members of the creative team.
- to integrate public debate into the creative process, using a range of methods that have already been tried and tested or invented: written questionnaires, filmed or recorded interviews, etc.
- to integrate these surveys into the final form of the show in the form of texts, films, projections, recorded sounds, projected photos, etc.
- to develop interdisciplinarity in the media used and the modes of scenic expression employed.
Výstupy z učení
A one-hour public show in which all the members of the creative team participate as performers and authors.
Literatura
    doporučená literatura
  • Cantrell, Tom. 2013. Acting in documentary theatre. Palgrave, Macmillan.
  • Forsyth, Alison and Megson Chris. 2011. Get real, documentary theatre past and present. Performance interventions. Palgrave Macmillan.
  • Martin, Carol. 2010. Dramaturgy of the Real on the World Stage. Studies in International Performance. Palgrave Macmillan.
Výukové metody
Euristic method. Discussions. Exercises.
Metody hodnocení
Will be evaluated and discussed:
- the evolution of the participation of each member of the creative team during the trial.
- the concret participation in the scenic project: more or less distant from the common subject?, how?, why?
- the written feedback of the participants.
- the integration of the scenic means into the final project: their relevance to the subject and the dramaturgy of the work as a whole.
Vyučovací jazyk
Angličtina
Další komentáře
Předmět je dovoleno ukončit i mimo zkouškové období.
Předmět je vyučován každoročně.
Výuka probíhá blokově.
Předmět je zařazen také v obdobích zima 2019, zima 2020.
  • Statistika zápisu (nejnovější)
  • Permalink: https://is.jamu.cz/predmet/difa/zima2023/DERZX18