H70073 Digitální fikce

Hudební fakulta
zima 2018
Rozsah
2/0. 1 kr. 1 z 1. Ukončení: zk.
Vyučující
Dagmar Husárová (přednášející)
Garance
Katedra kompozice a multimediální tvorby – Děkanát – Hudební fakulta – Janáčkova akademie múzických umění
Dodavatelské pracoviště: Katedra kompozice a multimediální tvorby – Děkanát – Hudební fakulta – Janáčkova akademie múzických umění
Omezení zápisu do předmětu
Předmět je určen pouze studentům mateřských oborů.
Mateřské obory/plány
Osnova
  • Fiction, theory of fictional worlds.
    Narratology.
    Non/Multilinear writing, Oulipo.
    Hypertext - associative thinking, linking, structures.
    Cybertext, ergodic literature.
    Digital word, code, materiality.
    Performativity of digital sign, procedural model of communication.
    Intermediality, metamediality, multisensoric reading.
    Narrative as transmedial concept.
    Digital fiction and aspects of play, game.
Literatura
  • Homo ludens: o původu kultury ve hře [Huizinga, 1971]. info
  • CRAMER, Florian. Words Made Flesh : Code, Culture, Imagination. Rotterdam : Piet Zwart Institute, 2005. 140 p. Cyberarts 2003: International Compendium Prix Ars Electronica. Stuttgart: Hatje Cantz Publishers, 2003. p. 248. info
  • Genette, Gérard. Narrative discourse :an essay in method. Edited by Jonathan D. Culler, Translated by Jane E. Lewin. 1. ed. Ithaca, New York: Cornell University Press, 1980. 285 s. info
  • BACK, Maribeth. The Reading Senses. In Digital Media Revisited: Theoretical and Conceptual Innovation in Digital Domains. Ed. Gunnar Liestøl, Andrew Morrison, Terje Rasmussen. Cambridge, MA: The MIT Press, 2003, p. 157-182. ISBN 0-262-12256-1. info
  • New Media Poetics: Contexts, Technotexts and Theories. Edited by A. Morris, Thomas Swiss, The MIT Press, Cambridge, MA 2006,. info
  • HANSEN, Mark, B. N. Bodies in Code: Interfaces with Digital Media. NY: Routledge, 2006. 327 p. info
  • HAYLES, Katherine, N. Writing Machines. Cambridge, MA: The MIT Press, 2002. 224 p. info
  • RYAN, Marie-Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore: Johns Hopkins University Press, 2001. 399 p. info
  • Bolter, Jay David - Grusin, Richard. Remediation :understanding new media. 1st MIT Press pbk. ed. Cambridge, Mass.: MIT Press, 2000. xi, 295 s. info
  • FUNKHOUSER,Christopher T . Prehistoric Digital Poetry : An Archaeology of Forms, 1959-1995. Tuscaloosa, AL : University of Alabama Press, 2007. 408 p. IS. info
  • CAYLEY, John. Time Code Language : New Media Poetics and Programmed Signification. In New Media Poetics : Contexts, Technotexts, and Theories. Ed. Adalaide Morris, Thomas Swiss. Cambridge, MA : The MIT Press, 2006, p. 307-333. info
  • AARSETH, Espen J. Cybertext : Perspectives on Ergodic Literature. Baltimore : The John Hopkins University Press, 1997. 203 p. info
  • Bolter, Jay David - Gromala, Diane. Windows and mirrors :interaction design, digital art, and the myth of transparency. Cambridge, Mass. : MIT Press, 2003. xi, 182 s. The new media reader. Edited by Noah Wardrip-Fruin - Nick Montfort. Cambridge, Mass. : MIT Press, 2003. xv, 823 s. info
  • FULLER, Matthew (Ed.). Software Studies : A Lexicon. Cambridge, MA : The MIT Press, 2008. 334 p. info
  • Fořt, Bohumil. Úvod do sémantiky fikčních světů. 1. vyd. Brno : Host, 2005. 148 s. Teoretická knihovna. info
  • SUSINI-ANASTOPOULOSOVÁ, Françoise. Fragmentárne písanie: Definície a prínosy, Kalligram, Bratislava 2005. 313 s. info
  • GLAZIER, Loss Pequeño. Digital Poetics : The Making of E-Poetries. Tuscaloosa : University of Alabama Press, 2002. 213 p. - Caillois, Roger. Hry a lidé:maska a závrať. Translated by Nina Vangeli. Nakladatelství Studia Ypsilon, Praha 1998. 215 s. info
  • Gadamer, Hans-Georg. Aktualita krásného :umění jako hra, symbol a slavnost. Translated by David Filip. Vyd. 1. Praha : Triáda, 2003. 86 s. info
  • Narrative Across Media : The Languages of Storytelling. Ed. Marie-Laure Ryan. Lincoln; London : Nebraska Press, 2004. 422 p. info
  • Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn, Marie-Laure Ryan. London; New York : Routledge. 2008, p. 252-256. info
  • DRUCKER, Johanna. The Visible Word : Experimental Typography and Modern Art, 1909-1923. Chicago : The University of Chicago Press, 1994. 298 p. info
  • HAYLES, Katherine, N. Electronic Literature : New Horizons for the Literary. Notre Dame: University of Notre Dame, 2008. 240 p. info
Výukové metody
prednáška
Kurz v rámci meziuniverzitního projektu ESF "Umění a multimedia" zajišťuje FF MU.
Metody hodnocení
Requirements during lecture - attendance, active participation and discussion on the assigned texts (available online, predominantly written in English). Assessment - either written paper (apr. 10 p.) on some of the topics introduced during lectures or presentation of ideas in some other creative, interactive, multimedia form (blogs, intermedial projects, etc.). The assessment will be based on student´s activity at lectures and their paper/blog/project.
Vyučovací jazyk
Slovinština
Předmět je zařazen také v obdobích zima 2013, zima 2014, zima 2015, zima 2016, zima 2017, zima 2019, zima 2020, zima 2021.