DDMZ207 Law III

Theatre Faculty
Winter 2024
Extent and Intensity
1/1/4. 2 credit(s). Type of Completion: zk (examination).
Teacher(s)
Mgr. Ondřej Glogar (lecturer)
Guaranteed by
prof. MgA. Blanka Kolegar
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Timetable
Thu 14:30–16:00 104
Prerequisites
Successful completion of the subject Law I, II.
Course Enrolment Limitations
The course is only offered to the students of the study fields the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives
Objectives: To deepen knowledge of copyright (the authors' rights and the rights of performers) as well as of follow-up relations from the field of intellectual property rights protection to enable students to understand the current legislation of copyright area and to apply the legislation to specific situations in the arts according to students` comprehensive preparation and justification of the legal instruments used to solve the problem of copyright.
Learning outcomes
Knowledge:
Student will deepen the knowledge of copyright issues in the field of dramatic and musical art both from the position of author, performer, producer of sound and audio-video records, but also from the position of users. Student focuses on media law.

Skills:
Students can search for adequate ways how to use considered works of art or artistic performances, audio and audiovisual recordings. Student can find the appropriate license to ensure these user rights. In discussions with agencies and collective administrators is able to accurately formulate requirements and assess their optimality of the proposed solutions. Student knows issues of periodical and non-periodical publications as well as the legislation of television and radio broadcasting.

Competences:
Student is instructed licence holder and can arrange the required obligations for the use other holder of rights. Student understands the technology of copyright solutions of artistic creation as well as of use of objects of copyright protection from the part of an user (especially an art institution). Student can individually find an adequate form of the necessary contractual relationships between users and holders of licences and prepare appropriate license agreements. Students is so eligible to communicate with management of an art institutions and art agencies (collective administrators) to ensure copyright for the realization of artistic creation.
Syllabus
  • Course content:
    principles, sources and terminology of copyright law;
  • legal forms of the creation of the work of art, artistic performance and sound recording;
  • the scope of copyright (personal and proprietary rights);
  • licensing of the rights of use of objects under the copyright protection;
  • Free use issues, including forms of Creative Commons;
  • copyright limitations and consequences of copyright infringement;
  • special regimes of copyright works;
  • other intellectual property rights and the protection of the intangibles in the context of theatre practice.
Literature
    required literature
  • Zákon č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon). 2000. info
  • Zákon č. 89/1992 Sb., Občanský zákoník. 2014. info
  • SRSTKA, Jiří. Autorské právo v divadle. 2. vydání. Praha: Leges, 2022, 141 pp. ISBN 978-80-7502-582-1. info
  • CHLOUPEK, Vojtěch and A KOL. Smlouvy v divadelní praxi. 1. vyd. Praha: AMU, 2013, 233 pp. Management umění - umění managementu. ISBN 978-80-7331-293-0. info
  • Licenční prvky Creative Commons České republiky online www.creativecommons.cz
    recommended literature
  • Ivo Telec Přehled práva duševního vlastnictví 1, nakladatelství Doplněk MU 2002. info
  • SRSTKA, Jiří, Jan BARTÁK, Tomáš DOBŘICHOVSKÝ, Pavel KOUKAL, Rudolf LEŠKA, Pavel MATES, Petr PRCHAL, František PÚRY, Petra SKŘEJPKOVÁ, Vladimír SMEJKAL, Ivo TELEC, František VYSKOČIL and Petra ŽIKOVSKÁ. Autorské právo a práva související: vysokoškolská učebnice. Praha: Leges, 2024, 510 pp. ISBN 978-80-7502-685-9. info
  • Michal Šalomoun Ochrana názvů, postav a příběhů uměleckých děl, C.H. Beck Praha 2003. info
  • JOHNS, Adrian. Pirátství - boje o duševní vlastnictví od Gutenberga po Gatese. 2014. info
  • Milan Kundera Nechovejte se tu jako doma, příteli, Atlantis 2006. info
Teaching methods
Student acquires declared skills through an individual or team solution of the given problem, including the possibility to solve a fictitious project.
Student must be able to respond, prepare the solution and defend it from others, as well as respond to the solutions of others.
Student works independently with a legal texts, basic knowledge of this text is prerequisite.
Teacher introduces the problem, directs the search for the right solutions, and evaluates the proposed procedures.
Assessment methods
Student receives during an active involvement formative assessment, and is finally classified according a final written test.
Language of instruction
Czech
Follow-Up Courses
Further Comments
The course is taught annually.
The course is also listed under the following terms Winter 2014, Winter 2015, Winter 2016, Winter 2017, Winter 2018, Winter 2019, Winter 2020, Winter 2021, Winter 2022, Winter 2023.
  • Enrolment Statistics (recent)
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