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The author focuses her workshop on finding out information about a specific situation/event/personality on a documentary level. Instead of arranging them into a classically structured form, she creates islands of emotionally and rationally relevant messages on an intuitive principle. Works with them in a metaphorical and essayistic way. Grasps them performatively and lets them affect the recipient through her voice, expression, objects, photographs, film fragments, and sounds. The elements of the future film narrative then form the core of a film script/vision of a different quality.