J 2024

Misattributed and Insecurely Ascribed 18th-century Organ Repertory from the Bohemian Lands

MICHÁLKOVÁ SLIMÁČKOVÁ, Jana

Basic information

Original name

Misattributed and Insecurely Ascribed 18th-century Organ Repertory from the Bohemian Lands

Authors

MICHÁLKOVÁ SLIMÁČKOVÁ, Jana (203 Czech Republic, guarantor, belonging to the institution)

Edition

Folia organologica, 2024, 2657-6082

Other information

Language

English

Type of outcome

Článek v odborném periodiku

Field of Study

60403 Performing arts studies

Country of publisher

Poland

Confidentiality degree

není předmětem státního či obchodního tajemství

References:

Organization unit

Faculty of Music

Keywords in English

Organ; organ music; music of the 18th century; music of the Bohemian Lands

Tags

International impact, Reviewed
Změněno: 5/2/2025 09:34, Mgr. Jana Michálková Slimáčková, Ph.D.

Abstract

V originále

Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed.