J 2024

Misattributed and Insecurely Ascribed 18th-century Organ Repertory from the Bohemian Lands

MICHÁLKOVÁ SLIMÁČKOVÁ, Jana

Basic information

Original name

Misattributed and Insecurely Ascribed 18th-century Organ Repertory from the Bohemian Lands

Authors

Edition

Folia organologica, 2024, 2657-6082

Other information

Language

English

Type of outcome

Article in a journal

Field of Study

60403 Performing arts studies

Country of publisher

Poland

Confidentiality degree

is not subject to a state or trade secret

References:

Marked to be transferred to RIV

Yes

Organization unit

Faculty of Music

Keywords in English

Organ; organ music; music of the 18th century; music of the Bohemian Lands

Tags

International impact, Reviewed

Abstract

In the original language

Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed. Of surviving late Baroque organ compositions from the Bohemian Lands, some are anonymous or tenuously attributed; some have multiple attributions. Certain pieces of Bohuslav Černohorský and Jan Zach are dubious; a fugue by Josef Lipavský was ascribed to Zach. Some of Josef Seger’s works (Leipzig, 1793) were put in pairs when printed.