JIRÁSEK, Ondřej. Ančerl, Jílek, Mackerras, Abbado dirigují Sinfoniettu. In Mezinárodní konference HF JAMU 2023. 2023.
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Základní údaje
Originální název Ančerl, Jílek, Mackerras, Abbado dirigují Sinfoniettu
Název česky Ančerl, Jílek, Mackerras, Abbado dirigují Sinfoniettu
Název anglicky Ančerl, Jílek, Mackerras, Abbado conduct the Sinfonietta
Autoři JIRÁSEK, Ondřej.
Vydání Mezinárodní konference HF JAMU 2023, 2023.
Další údaje
Originální jazyk čeština
Typ výsledku Prezentace na konferencích
Obor 60403 Performing arts studies
Stát vydavatele Česká republika
Utajení není předmětem státního či obchodního tajemství
WWW URL
Organizační jednotka Hudební fakulta
Klíčová slova anglicky Janáček; conducting; Sinfonietta; Ančerl; Jílek; Mackerras; Abbado
Příznaky Mezinárodní význam
Změnil Změnil: doc. PhDr. Petr Lyko, Ph.D. et Ph.D., učo 5794. Změněno: 12. 3. 2024 12:16.
Anotace anglicky
The work is based on Music Information Retrieval (MIR) methods and uses the scientific apparatus mainly of musicology, music theory, sound engineering, psychoacoustics and semantics. Analyzes 4 important studio recordings of Leoš Janáček's Sinfonietta conducted by the four above-mentioned conductors and performed by the four above-mentioned orchestras. Acoustic parameters are compared for the selected blocks: tempo, real dynamic range, melodic contours, tuning, articulation (real length of notes and accentuation), color distribution within the stereo, instrument mixtures and degree of masking and dynamic distance of instruments from each other. Psychoacoustic parameters were also measured for selected sections discussed by musicology, e.g. sharpness, roughness, tonality or non-tonality (noise) of colors, quality of spectra, etc. The obtained data were related to subjective perception, i.e. how the recordings affect the listeners and to possible critical reactions to the given recordings. The work also reflects the semantic interpretation of the composition by both the author and musicologists. The output is then a generalization of what is typical for individual performances and the conductor's handwriting and what is different in the case of the Sinfonietta. The work is based on Music Information Retrieval (MIR) methods and uses the scientific apparatus mainly of musicology, music theory, sound engineering, psychoacoustics and semantics. Analyzes 4 important studio recordings of Leoš Janáček's Sinfonietta conducted by the four above-mentioned conductors and performed by the four above-mentioned orchestras. Acoustic parameters are compared for the selected blocks: tempo, real dynamic range, melodic contours, tuning, articulation (real length of notes and accentuation), color distribution within the stereo, instrument mixtures and degree of masking and dynamic distance of instruments from each other. Psychoacoustic parameters were also measured for selected sections discussed by musicology, e.g. sharpness, roughness, tonality or non-tonality (noise) of colors, quality of spectra, etc. The obtained data were related to subjective perception, i.e. how the recordings affect the listeners and to possible critical reactions to the given recordings. The work also reflects the semantic interpretation of the composition by both the author and musicologists. The output is then a generalization of what is typical for individual performances and the conductor's handwriting and what is different in the case of the Sinfonietta.
VytisknoutZobrazeno: 21. 7. 2024 10:31