Ančerl, Jílek, Mackerras, Abbado dirigují Sinfoniettu
JIRÁSEK, Ondřej. Ančerl, Jílek, Mackerras, Abbado dirigují Sinfoniettu. In Mezinárodní konference HF JAMU 2023. 2023. |
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Základní údaje | |
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Originální název | Ančerl, Jílek, Mackerras, Abbado dirigují Sinfoniettu |
Název česky | Ančerl, Jílek, Mackerras, Abbado dirigují Sinfoniettu |
Název anglicky | Ančerl, Jílek, Mackerras, Abbado conduct the Sinfonietta |
Autoři | JIRÁSEK, Ondřej. |
Vydání | Mezinárodní konference HF JAMU 2023, 2023. |
Další údaje | |
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Originální jazyk | čeština |
Typ výsledku | Prezentace na konferencích |
Obor | 60403 Performing arts studies |
Stát vydavatele | Česká republika |
Utajení | není předmětem státního či obchodního tajemství |
WWW | URL |
Organizační jednotka | Hudební fakulta |
Klíčová slova anglicky | Janáček; conducting; Sinfonietta; Ančerl; Jílek; Mackerras; Abbado |
Příznaky | Mezinárodní význam |
Změnil | Změnil: doc. PhDr. Petr Lyko, Ph.D. et Ph.D., učo 5794. Změněno: 12. 3. 2024 12:16. |
Anotace anglicky |
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The work is based on Music Information Retrieval (MIR) methods and uses the scientific apparatus mainly of musicology, music theory, sound engineering, psychoacoustics and semantics. Analyzes 4 important studio recordings of Leoš Janáček's Sinfonietta conducted by the four above-mentioned conductors and performed by the four above-mentioned orchestras. Acoustic parameters are compared for the selected blocks: tempo, real dynamic range, melodic contours, tuning, articulation (real length of notes and accentuation), color distribution within the stereo, instrument mixtures and degree of masking and dynamic distance of instruments from each other. Psychoacoustic parameters were also measured for selected sections discussed by musicology, e.g. sharpness, roughness, tonality or non-tonality (noise) of colors, quality of spectra, etc. The obtained data were related to subjective perception, i.e. how the recordings affect the listeners and to possible critical reactions to the given recordings. The work also reflects the semantic interpretation of the composition by both the author and musicologists. The output is then a generalization of what is typical for individual performances and the conductor's handwriting and what is different in the case of the Sinfonietta. The work is based on Music Information Retrieval (MIR) methods and uses the scientific apparatus mainly of musicology, music theory, sound engineering, psychoacoustics and semantics. Analyzes 4 important studio recordings of Leoš Janáček's Sinfonietta conducted by the four above-mentioned conductors and performed by the four above-mentioned orchestras. Acoustic parameters are compared for the selected blocks: tempo, real dynamic range, melodic contours, tuning, articulation (real length of notes and accentuation), color distribution within the stereo, instrument mixtures and degree of masking and dynamic distance of instruments from each other. Psychoacoustic parameters were also measured for selected sections discussed by musicology, e.g. sharpness, roughness, tonality or non-tonality (noise) of colors, quality of spectra, etc. The obtained data were related to subjective perception, i.e. how the recordings affect the listeners and to possible critical reactions to the given recordings. The work also reflects the semantic interpretation of the composition by both the author and musicologists. The output is then a generalization of what is typical for individual performances and the conductor's handwriting and what is different in the case of the Sinfonietta. |
VytisknoutZobrazeno: 17. 10. 2024 13:18