CIAMPI MATULOVÁ, Jitka. Look, the power of the human spirit again, has broken the hard rock wall here... Ballet Excelsior on the stage of the National Theatre in Prague in 1885. In Shaped by Greed. Reflections and Impacts of Environmental Exploitation in European Visual Cultures 1200—1900. 2023.
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Základní údaje
Originální název Look, the power of the human spirit again, has broken the hard rock wall here... Ballet Excelsior on the stage of the National Theatre in Prague in 1885
Autoři CIAMPI MATULOVÁ, Jitka (203 Česká republika, garant, domácí).
Vydání Shaped by Greed. Reflections and Impacts of Environmental Exploitation in European Visual Cultures 1200—1900, 2023.
Další údaje
Originální jazyk angličtina
Typ výsledku Prezentace na konferencích
Obor 60403 Performing arts studies
Stát vydavatele Česká republika
Utajení není předmětem státního či obchodního tajemství
WWW Programme of the conference
Organizační jednotka Divadelní fakulta
Klíčová slova anglicky Excelsior; pozitivism; late Romantic scenography; Luigi Manzotti; Romualdo Marenco; National Theatre in Prag
Příznaky Mezinárodní význam
Změnil Změnila: doc. MgA. Hana Průchová, Ph.D., učo 5216. Změněno: 5. 1. 2024 23:38.
Anotace
The paper focuses on the performance of the originally Italian ballet Excelsior by the National Theatre in Prague in 1885. The aim of the paper is to present the Excelsior ballet in the context of the national revival, the ideas of the productions of the National Theatre as a reflection of the national identity and the positivism of that time. The ballet Excelsior represented a celebration of that section of society whose rise in the social hierarchy was laid on the foundations of progress, of industrial development, which it supported and of course benefited from. Unwilling to see, even at that time, the various problems that were also linked to this progress, it was lulled into a conviction, or rather presented itself as a social class creating the conditions for a better life.
VytisknoutZobrazeno: 1. 5. 2024 01:41