In the film, I used a set of procedures and devices that intertwine towards the layered structure that we perceive as a whole film. I will only dwell on some aspects. Although they cannot be taken out of context very well, I will try to approach some of them. (Non-acting) documentary reconstruction and improvisation and acting stylization The presence of non-actors in film Visualization was essential. Their importance lies in the fact that inspiration from their life situations became the main starting point for the conception of the film. First of all, because it is a film that is partly documentary in nature, an attempt to reflect the experiences and experiences that I have gained from interacting with these people. Professional supporting actors have become part of artistic stylization and fiction in which non-actors are the main source of inspiration. The non-actors in the film play themselves in real situations, but not only that, they also play a "model of themselves", in stylizations that are close to their lives, but already belong to the realm of exaggeration. It is a conscious participation, as the stylization was created with their contribution and consent. I partially used documentary reconstruction, such as in the passages where Svetlana paints, sleeps and dreams. These events would take place similarly even without the presence of the film crew.