Podrobný výpis o publikaci

The interpretative notes on the major operas - Mozart's Don Giovanni, Verdi's Nabucco, Rigoletto and La Traviata, Puccini's Bohème and Tosca - are intended to understand a number of differences in conducting techniques, dynamic retouching, transitions and tempo contexts. They are not a strict command of how to solve the complex issues of interpretation and study of opera titles, they should serve as inspiration for possible approaches to solving problems that may arise in the implementation and study. This will make it easier to understand the whole musical issue of studying operas with all the contexts, especially for those who encounter the preparation and staging of a given production for the first time. The notes provide a rationale for addressing tempo and expression in relation to the content of the libretto, the drama of the story and the intelligibility of the sung text.