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Research into sound as a fundamental parameter in ensemble playing, through experiments with notation and controlled and free improvisation, led me to work with real sounds. During my study stay in Portugal, I recorded dozens of hours of field recordings and prepared a music that combines a mix of these recordings with the performance of my score. To interpret the score, I got five Portuguese musicians of different musical backgrounds (classical music, jazz, folklore, improvised music) and combined their recordings with recordings of the same score, which I made with musicians from my ensemble Dust in the Groove and also with recordings of HF JAMU students. From the beginning, I consulted the whole project with the composer and composition professor at the California Institute of the Arts in Los Angeles, Ulrich Krieger, who also solves a similar model of field recordings, sound art and acoustic ensemble playing in his compositions.