HANOUSEK, Radim. Braxtonův hudební systém v mezioborovém nadžánrovém ansámblu (Braxton's musical system in an interdisciplinary supra-genre ensemble). Opus musicum. 2020, vol. 2020, No 2, p. 24-40. ISSN 0862-8505.
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Basic information
Original name Braxtonův hudební systém v mezioborovém nadžánrovém ansámblu
Name (in English) Braxton's musical system in an interdisciplinary supra-genre ensemble
Authors HANOUSEK, Radim (203 Czech Republic, guarantor, belonging to the institution).
Edition Opus musicum, 2020, 0862-8505.
Other information
Original language Czech
Type of outcome Article in a journal
Field of Study 60403 Performing arts studies
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
WWW URL
Organization unit Faculty of Music
Keywords in English graphic score; artistic research; Anthony Braxton
Changed by Changed by: MgA. Ing. Radim Hanousek, učo 16403. Changed: 31/1/2021 19:27.
Abstract
Studie pojednává o propojení klasických a jazzových hudebníků ve společném ansámblu při nácviku hudby Anthonyho Braxtona (nar. 1945), a to řízené improvizace využívající Language 1 Types a skladby No. 174 na pomezí jazzu, experimentu a soudobé hudby, s otevřeným obsazením, kombinující improvizaci, klasickou i originální notaci. Porovnává zkušenosti z volné a řízené improvizace, zkoumá přínos, inspirativnost a kreativitu v rámci nové notace a pravidly omezené volnosti interpretace i improvizace.
Abstract (in English)
The article discusses the research into the collaboration between classical and jazz musicians, who have created a joint 20-strong ensemble to rehearse the music of Anthony Braxton. It is a follow-up to our previous paper, Joining Jazz and Classical Musicians in a Single Improvisation Ensemble (Opus Musicum, vol. 51, 2019, No. 3, pp. 26–39), which describes the process of finding common means of expression during non-idiomatic improvisation. To discuss the new sound possibilities in a multi-genre ensemble, we have chosen conducted improvisation using selected musical pieces, including Braxton’s Language Types and Composition No. 174, which is a combination of jazz, experimental and contemporary music, with open instrumentation mixing improvisation, classical and original notation. The research has confirmed our initial hypothesis, i.e. that introducing partial organization in an improvisation ensemble can eliminate or at least reduce previously noted shortcomings and risks of free improvisation and lead to the creation of a functional collective performance, while still retaining the desired spontaneity, creativity and enjoyment.
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