BURAJ, Ivan. Práca s princípom prézentnosti v inscenáciách Thomasa Ostermeiera. 2014.
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Original name Práca s princípom prézentnosti v inscenáciách Thomasa Ostermeiera
Authors BURAJ, Ivan.
Edition 2014.
Other information
Type of outcome Research and development projects
Confidentiality degree is not subject to a state or trade secret
Organization unit Theatre Faculty
Keywords (in Czech) Prézentnost, reprezentácia, dramatické divadlo, postdramatické divadlo, performance, miznutie tela a hlasu herca, šok, plétora, odopieranie, divadlo krutosti, teplo a chlad, hypernaturalizmus, pop, prienik reálneho, kultúrny priemysel, Ostermeier, Ibsen, Schaubϋhne
Keywords in English Presence, representation, dramatic theatre, postdramatic theatre, performance, disappeaing of body and voice of actor, shock, plethora, denial, cruel theatre, warm and coldness, hypernaturalism, pop, penetration of reality, cultural industry, Ostermeier, Ibsen, Schaubϋhne
Tags Akademické studie
Changed by Changed by: Mgr. Nikola Homolová, učo 20375. Changed: 19/6/2020 11:14.
Abstract
Práca je analýzou dvoch inscenácií Thomasa Ostermeiera Hedda Gabler a Ein Volksfeind, ktorých cieľom je demonštrovanie prechodu divadelného jazyka od rádu reprezentácie k rádu prézentnosti. Vo svojej práci skúmam akými konkrétnymi režijnými prostriedkami sa dá akcentovať špecifická časovosť divadla spočívajúca v prítomnosti tu a teraz a aké dôsledky obnáša toto akcentovanie.
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