Podrobný výpis o publikaci

Reflection of lighting design is very rare in our environment. A deeper analysis of the situation leads us to surprising conclusions which touch on the very essence of theatre. Also the effort to define lighting design will lead us to surprising ideas. The criteria we apply when reflecting lighting design are based on the visual perception of the audience. The recipient of the performance as an active component of perception comes to the forefront. But how much does the perception differ when comparing e.g. artificial lighting at classical theatre and daylight at site specific project? And how does the visual perception of a viewer at theater differ from the perception in everyday life? And will we soon use perception-orientated lighting design at theater, as already happens in architectural lighting design? Will new analytical methods help us? All these issues were discussed in the conference contribution.