ONDRUŠOVÁ, Jana. Kam zmizol scenárista Obchodu na korze? Osudy Ladislava Grosmana v rokoch 1968 až 1973 a prípad Rendez-vous strýce Davida (Where Did The Shop on Main Street's Screenwriter Disappear? What Happened to Ladislav Grosman during Years 1968-1973 and Uncle David's Rendez-vous Case Study). Kino-Ikon. Časopis pre vedu o filme a pohyblivom obraze. 2018, vol. 22, No 2, p. 27-56. ISSN 1335-1893.
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Basic information
Original name Kam zmizol scenárista Obchodu na korze? Osudy Ladislava Grosmana v rokoch 1968 až 1973 a prípad Rendez-vous strýce Davida
Name (in English) Where Did The Shop on Main Street's Screenwriter Disappear? What Happened to Ladislav Grosman during Years 1968-1973 and Uncle David's Rendez-vous Case Study
Authors ONDRUŠOVÁ, Jana (703 Slovakia, guarantor, belonging to the institution).
Edition Kino-Ikon. Časopis pre vedu o filme a pohyblivom obraze, 2018, 1335-1893.
Other information
Original language Slovak
Type of outcome Article in a journal
Field of Study 60405 Studies on Film, Radio and Television
Country of publisher Slovakia
Confidentiality degree is not subject to a state or trade secret
Organization unit Theatre Faculty
Keywords in English screenwriting; Ladislav Grosman; Czech Television
Tags Reviewed
Changed by Changed by: doc. MgA. Hana Průchová, Ph.D., učo 5216. Changed: 24/4/2019 15:42.
Abstract
Štúdia je súčasťou vznikajúcej dizertačnej práce zameranej na scenáristickú tvorbu Ladislava Grosmana. Tento tvorivý rozmer jeho osobnosti je totiž, s výnimkou Obchodu na korze, doposiaľ bližšie neprebádaný. Súčasťou textu je esejistický kontext autorovho života s dôrazom na jeho pôsobenie na poli scenáristiky, vychádzajúci z bádania v archívoch, dostupných dobových prameňov a rozhovorov s pamätníkmi. Jadro výskumu predstavuje dramaturgická analýza Grosmanových scenárov nájdených v archívoch Filmového studia Barrandov, České televize a Památníku národního písemnictví. Cieľom práce je nielen porozumenie tejto tvorivej osobnosti, ale aj potenciálu scenára ako umeleckého diela.
Abstract (in English)
The study is a part of doctoral research focused on screenwriting work of Ladislav Grosman. Apart from The Shop on Main Street, this dimension of his creative persona has not been explored so far. Framework of the upcoming thesis is essayistic context of the author’s life, more specifically his efforts in the field of screenwriting, based on archival research, contemporary written sources and interviews with his family and co-workers. The core of the research is dramaturgical analysis of Grosman’s literary scripts found in archives of the following institutions: Barrandov Film Studio, Czech Television and The Museum of Czech Literature. The aim of the thesis is not only understanding this complex creative person, but also potential of the literary script as an individual work of art.
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