2016
Cognitive Phenomenology: the Promising Pragmatic Marriage of Methodologies in the Field of Theatre Studies?
MOTAL, JanZákladní údaje
Originální název
Cognitive Phenomenology: the Promising Pragmatic Marriage of Methodologies in the Field of Theatre Studies?
Autoři
Vydání
Theatralia, 2016, 1803-845X
Další údaje
Jazyk
angličtina
Typ výsledku
Článek v odborném periodiku
Obor
60403 Performing arts studies
Stát vydavatele
Česká republika
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Organizační jednotka
Divadelní fakulta
Klíčová slova anglicky
cognitive science; neuroaesthetics; phenomenology; hermeneutics; theatre; artwork; methodology; humanities; hard problem
Změněno: 5. 3. 2018 18:23, doc. MgA. Jan Motal, Ph.D.
Anotace
V originále
The article presents cognitive phenomenology as a new methodological possibility for the humanities, and especially theatre studies, avoiding communication theory reductionism. The author adapts the perspective of amalgamated mind (ROWLANDS 2010), and elaborates its usefulness for the study of art. The article also interprets Aristotle’s practical wisdom as a concept fully compatible with the cognitive perspective, and shows that the cognitive perspective should not be contradictory to the phenomenological one. The relation of phenomenality to the amalgamated mind is also discussed. The author concludes that the ‘marriage of methodologies’ will be successful, but only if the irreducible natures of phenomenality and embodied mind are preserved.