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@article{11214, author = {Motal, Jan}, article_number = {3}, doi = {http://dx.doi.org/10.1515/sd-2017-0018}, keywords = {embodied mind; theatre performance; dialogue; existence; death anxiety; representation}, language = {eng}, issn = {0037-699X}, journal = {Slovenské divadlo / The Slovak Theatre}, title = {Anxious Affinities: How Theatrical Performance Can Generate a Platform for Interpersonal Dialogue}, volume = {65}, year = {2017} }
TY - JOUR ID - 11214 AU - Motal, Jan PY - 2017 TI - Anxious Affinities: How Theatrical Performance Can Generate a Platform for Interpersonal Dialogue JF - Slovenské divadlo / The Slovak Theatre VL - 65 IS - 3 SP - 316-326 EP - 316-326 SN - 0037699X KW - embodied mind KW - theatre performance KW - dialogue KW - existence KW - death anxiety KW - representation N2 - The article combines both philosophical and psychological approaches to argue that art and theatre performance especially can be grasped as a revelation of the universal and basic human concern, which is existential anxiety. The author presents an opinion, that via performative acts on stage, spectators and performers/actors are interconnected in hermeneutic situation (Hans-Georg Gadamer), in which they play their existential experience. Therefore, the universal death anxiety (Irvin D. Yalom) can be understood as a possible platform for interpersonal and intercultural dialogue (Martin Buber). The article concludes, that archetypes (Carl Gustav Jung) are such a place for mutual understanding, representing both mental and physical answers to the basic existential experience of humankind. ER -
MOTAL, Jan. Anxious Affinities: How Theatrical Performance Can Generate a Platform for Interpersonal Dialogue. \textit{Slovenské divadlo / The Slovak Theatre}. 2017, roč.~65, č.~3, s.~316-326. ISSN~0037-699X. Dostupné z: https://dx.doi.org/10.1515/sd-2017-0018.
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