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@article{11214,
author = {Motal, Jan},
article_number = {3},
doi = {http://dx.doi.org/10.1515/sd-2017-0018},
keywords = {embodied mind; theatre performance; dialogue; existence; death anxiety; representation},
language = {eng},
issn = {0037-699X},
journal = {Slovenské divadlo / The Slovak Theatre},
title = {Anxious Affinities: How Theatrical Performance Can Generate a Platform for Interpersonal Dialogue},
volume = {65},
year = {2017}
}
TY - JOUR
ID - 11214
AU - Motal, Jan
PY - 2017
TI - Anxious Affinities: How Theatrical Performance Can Generate a Platform for Interpersonal Dialogue
JF - Slovenské divadlo / The Slovak Theatre
VL - 65
IS - 3
SP - 316-326
EP - 316-326
SN - 0037699X
KW - embodied mind
KW - theatre performance
KW - dialogue
KW - existence
KW - death anxiety
KW - representation
N2 - The article combines both philosophical and psychological approaches to argue that art and theatre performance especially can be grasped as a revelation of the universal and basic human concern, which is existential anxiety. The author presents an opinion, that via performative acts on stage, spectators and performers/actors are interconnected in hermeneutic situation (Hans-Georg Gadamer), in which they play their existential experience. Therefore, the universal death anxiety (Irvin D. Yalom) can be understood as a possible platform for interpersonal and intercultural dialogue (Martin Buber). The article concludes, that archetypes (Carl Gustav Jung) are such a place for mutual understanding, representing both mental and physical answers to the basic existential experience of humankind.
ER -
MOTAL, Jan. Anxious Affinities: How Theatrical Performance Can Generate a Platform for Interpersonal Dialogue. \textit{Slovenské divadlo / The Slovak Theatre}. 2017, roč.~65, č.~3, s.~316-326. ISSN~0037-699X. Dostupné z: https://dx.doi.org/10.1515/sd-2017-0018.
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