HF:H70106l Jazz compositions and arrangem - Course Information
H70106l Jazz compositions and arrangements II
Faculty of MusicSummer 2017
- Extent and Intensity
- 1/1. 1 credit(s). Type of Completion: z (credit).
- Teacher(s)
- RNDr. Matúš Jakabčic (lecturer)
- Guaranteed by
- Jazz Interpretation Department – Faculty of Music – Janáček Academy of Performing Arts
Supplier department: Jazz Interpretation Department – Faculty of Music – Janáček Academy of Performing Arts - Timetable
- Mon 11:00–11:45 317, Mon 11:50–12:35 317
- Prerequisites
- EVER( H70106z Jazz compositions and arrangements II )
successfully completed the course in jazz composition and arranging I - Course Enrolment Limitations
- The course is only offered to the students of the study fields the course is directly associated with.
- fields of study / plans the course is directly associated with
- Jazz interpretation (programme HF, B-HUDUM)
- Jazz interpretation (programme HF, B-HUDUM, specialization Percussion Instruments)
- Jazz interpretation (programme HF, B-HUDUM, specialization Piano)
- Jazz interpretation (programme HF, B-HUDUM, specialization Bass)
- Jazz interpretation (programme HF, B-HUDUM, specialization Guitar)
- Jazz interpretation (programme HF, B-HUDUM, specialization Saxophone)
- Jazz interpretation (programme HF, B-HUDUM, specialization Trombone)
- Jazz interpretation (programme HF, B-HUDUM, specialization Trumpet)
- Course objectives
- To manage a work with the harmonization of its own, so reharmonization of the songs.
- Syllabus
- To learn about and acquire practical system reharmonization from simple to complex, complicated and more sophisticated. Start with chords, change to the chords and ninth chord, complement harmonious approach other functional chords, such as alternating dominant, the foreign dominant, use more II-V process, where it is possible to tunes use chords modal interchange, select chords that increase melodic and harmonic tension, create a bass line for example. walking semitones and whole tones up or down to add chords that will rewrite the melody (in this case, we do not have the power to keep functional harmony, but we need to engage your ears and taste), use the same harmonic the structure of the bass delay. Focus is also on the structure of individual well-sounding chords and their voices leadership within the extended harmonic forms. Reharmonization of standard jazz to classical jazz quartet of their choice.
- Literature
- Pease,T : Jazz Composition: Theory and Practice, Berklee Press
- Arranging 2, Berklee Press – skripta
- Pullig,K; Pease,T.: Modern Jazz Voicings: Arranging for Small and Medium Ensembles, Berklee Press
- Chord scale voicings, Berklee Press – skripta
- Lowell,D.; Pullig,K: Arranging For Large Jazz Ensemble, Berklee Press
- Jazz Composer´s Companion, Gil Goldstein, Advance Music, 1993
- Teaching methods
- exercise - 2h
- Assessment methods
- classified credit
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
Credit evaluation note: 1 z 2.
Information on course enrolment limitations: Pro úspěšný zápis předmětu si zaregistrujte též odpovídající předmět v zimním semestru (podle předpokladu "EVER")
- Enrolment Statistics (Summer 2017, recent)
- Permalink: https://is.jamu.cz/course/hf/summer2017/H70106l