HF:H70089l Jazz intonation and rhythm I - Course Information
H70089l Jazz intonation and rhythm I
Faculty of MusicSummer 2017
- Extent and Intensity
- 0/2. 1 credit(s). Type of Completion: zk (examination).
- Teacher(s)
- Jiří Slavík (lecturer)
- Guaranteed by
- Jazz Interpretation Department – Faculty of Music – Janáček Academy of Performing Arts
Supplier department: Jazz Interpretation Department – Faculty of Music – Janáček Academy of Performing Arts - Timetable
- Mon 11:00–11:45 322, Mon 11:50–12:35 322
- Prerequisites
- EVER( H70089z Jazz intonation and rhythm I )
Successful completion of the course, "Jazz Intonation - first part" - Course Enrolment Limitations
- The course is only offered to the students of the study fields the course is directly associated with.
- fields of study / plans the course is directly associated with
- Jazz interpretation (programme HF, B-HUDUM)
- Jazz interpretation (programme HF, B-HUDUM, specialization Percussion Instruments)
- Jazz interpretation (programme HF, B-HUDUM, specialization Piano)
- Jazz interpretation (programme HF, B-HUDUM, specialization Bass)
- Jazz interpretation (programme HF, B-HUDUM, specialization Guitar)
- Jazz interpretation (programme HF, B-HUDUM, specialization Saxophone)
- Jazz interpretation (programme HF, B-HUDUM, specialization Trombone)
- Jazz interpretation (programme HF, B-HUDUM, specialization Trumpet)
- Course objectives
- Build capacity to hear and intone in the context of simple harmonic progressions. Distinguishing turnovers kvinakordů and chords, intonation knowledge and experience with the third and sevenths
- Syllabus
- Working with the diatonic triads systems - intonation sextakordové and kvartsextakordové series in a major doškálném system, melodic exercises using these maneuvers. Working with nealterovanými chords - a core position in a major diatonic system, minor systems and their chords, intonation and recognition of each chord, three inversion chords and intonation exercises, work with dominant cadences and harmonic bonding, practicing in the Circle of fifths, creating melodic exercises with using cadence chords, blues procedures and tritone substitutions, rhythmic exercise with eighths and triplets osminovými, transcription and vocal demonstration solos in the song "All Blues" work with third and sevenths
- Literature
- Harrison, M. : Contemporary Eartraining – Level One, Hal Leonard, 1998
- Donelian, A. : Training the Ear – Volume 1, Advance Music, 1992
- Teaching methods
- Exercise - 2 hours
- Assessment methods
- exam
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Credit evaluation note: 1 z 2.
Information on course enrolment limitations: Pro úspěšný zápis předmětu si zaregistrujte též odpovídající předmět v zimním semestru (podle předpokladu "EVER")
- Enrolment Statistics (Summer 2017, recent)
- Permalink: https://is.jamu.cz/course/hf/summer2017/H70089l