Course Information

DDMZ207 Law III

Extent and Intensity

2/0/4. 2 credit(s). Type of Completion: zk (examination).

Teacher(s)

Mgr. Ondřej Glogar (lecturer)
JUDr. Lenka Valová (lecturer)

Guaranteed by

prof. MgA. Blanka Chládková
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts

Timetable

Tue 12:00–13:30 104

Prerequisites

Successful completion of the subject Law I, II.

Course Enrolment Limitations

The course is only offered to the students of the study fields the course is directly associated with.

fields of study / plans the course is directly associated with

there are 7 fields of study the course is directly associated with, display

Course objectives

Objectives: To deepen knowledge of copyright (the authors' rights and the rights of performers) as well as of follow-up relations from the field of intellectual property rights protection to enable students to understand the current legislation of copyright area and to apply the legislation to specific situations in the arts according to students` comprehensive preparation and justification of the legal instruments used to solve the problem of copyright.

Learning outcomes

Knowledge:
Student will deepen the knowledge of copyright issues in the field of dramatic and musical art both from the position of author, performer, producer of sound and audio-video records, but also from the position of users. Student focuses on media law.

Skills:
Students can search for adequate ways how to use considered works of art or artistic performances, audio and audiovisual recordings. Student can find the appropriate license to ensure these user rights. In discussions with agencies and collective administrators is able to accurately formulate requirements and assess their optimality of the proposed solutions. Student knows issues of periodical and non-periodical publications as well as the legislation of television and radio broadcasting.

Competences:
Student is instructed licence holder and can arrange the required obligations for the use other holder of rights. Student understands the technology of copyright solutions of artistic creation as well as of use of objects of copyright protection from the part of an user (especially an art institution). Student can individually find an adequate form of the necessary contractual relationships between users and holders of licences and prepare appropriate license agreements. Students is so eligible to communicate with management of an art institutions and art agencies (collective administrators) to ensure copyright for the realization of artistic creation.

Syllabus

• Course content:
  Legal forms of the creation of the work of art, artistic performance and sound recording
• Licensing of the rights of use of objects under the copyright protection
• Free use issues, Creative Commons included
• Collective Management and Collective Administrators
• Authorization to issue periodicals and non-periodical publications
• Obtaining a license to broadcast

Literature

required literature
• Příslušné právní normy + používání Automatizovaného systému právních informací. info
• Elektronická verze přednášek, Valová Lenka pro příslušný akademický rok
• Jiří Srstka Autorské právo v divadle, nakladatelství NAMU 2006. info
• CHLOUPEK, Vojtěch and A KOL. Smlouvy v divadelní praxi. 1. vyd. Praha: AMU, 2013, 233 pp. Management umění - umění managementu. ISBN 978-80-7331-293-0. info
• Licenční prvky Creative Commons České republiky online www.creativecommons.cz

recommended literature
• Ivo Telec Přehled práva duševního vlastnictví 1, nakladatelství Doplněk MU 2002. info
• Ivo Telec Tvůrčí práva duševního vlastnictví, nakladatelství Doplněk MU 1994. info
• Michal Šalomoun Ochrana názvů, postav a příběhů uměleckých děl, C.H. Beck Praha 2003. info
• Jiří Čermák Internet a autorské právo 3. vydání, nakladatelství Linde 2003. info
• JOHNS, Adrian. Pirátství - boje o duševní vlastnictví od Gutenberga po Gatese. 2014. info
• Milan Kundera Nechovejte se tu jako doma, příteli, Atlantis 2006. info
• KREJČÍ, Hana. Základní typy právních forem profesionálních divadel v České republice a jejich vliv na proces řízení. 2009. info

Teaching methods

Student acquires declared skills through an individual or team solution of the given problem, including the possibility to solve a fictitious project.
Student must be able to respond, prepare the solution and defend it from others, as well as respond to the solutions of others.
Student works independently with a legal texts, basic knowledge of this text is prerequisite.
Teacher introduces the problem, directs the search for the right solutions, and evaluates the proposed procedures.

Assessment methods

Student receives during an active involvement formative assessment, and is finally classified according a written test.

Language of instruction

Czech

Follow-Up Courses

• DDML207 Law III

Further Comments

The course is taught annually.

DDMZ207 Law III

Extent and Intensity

2/0/4. 2 credit(s). Type of Completion: zk (examination).

Teacher(s)

JUDr. Lenka Valová (lecturer)

Guaranteed by

prof. MgA. Blanka Chládková
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts

Timetable

Tue 12:00–13:30 104

Prerequisites

Successful completion of the subject Law I, II.

Course Enrolment Limitations

The course is only offered to the students of the study fields the course is directly associated with.

fields of study / plans the course is directly associated with

there are 7 fields of study the course is directly associated with, display

Course objectives

Objectives: To deepen knowledge of copyright (the authors' rights and the rights of performers) as well as of follow-up relations from the field of intellectual property rights protection to enable students to understand the current legislation of copyright area and to apply the legislation to specific situations in the arts according to students` comprehensive preparation and justification of the legal instruments used to solve the problem of copyright.

Learning outcomes

Knowledge:
Student will deepen the knowledge of copyright issues in the field of dramatic and musical art both from the position of author, performer, producer of sound and audio-video records, but also from the position of users. Student focuses on media law.

Skills:
Students can search for adequate ways how to use considered works of art or artistic performances, audio and audiovisual recordings. Student can find the appropriate license to ensure these user rights. In discussions with agencies and collective administrators is able to accurately formulate requirements and assess their optimality of the proposed solutions. Student knows issues of periodical and non-periodical publications as well as the legislation of television and radio broadcasting.

Competences:
Student is instructed licence holder and can arrange the required obligations for the use other holder of rights. Student understands the technology of copyright solutions of artistic creation as well as of use of objects of copyright protection from the part of an user (especially an art institution). Student can individually find an adequate form of the necessary contractual relationships between users and holders of licences and prepare appropriate license agreements. Students is so eligible to communicate with management of an art institutions and art agencies (collective administrators) to ensure copyright for the realization of artistic creation.

Syllabus

• Course content:
  Legal forms of the creation of the work of art, artistic performance and sound recording
• Licensing of the rights of use of objects under the copyright protection
• Free use issues, Creative Commons included
• Collective Management and Collective Administrators
• Authorization to issue periodicals and non-periodical publications
• Obtaining a license to broadcast

Literature

required literature
• Příslušné právní normy + používání Automatizovaného systému právních informací. info
• Elektronická verze přednášek, Valová Lenka pro příslušný akademický rok
• Jiří Srstka Autorské právo v divadle, nakladatelství NAMU 2006. info
• CHLOUPEK, Vojtěch and A KOL. Smlouvy v divadelní praxi. 1. vyd. Praha: AMU, 2013, 233 pp. Management umění - umění managementu. ISBN 978-80-7331-293-0. info
• Licenční prvky Creative Commons České republiky online www.creativecommons.cz

recommended literature
• Ivo Telec Přehled práva duševního vlastnictví 1, nakladatelství Doplněk MU 2002. info
• Ivo Telec Tvůrčí práva duševního vlastnictví, nakladatelství Doplněk MU 1994. info
• Michal Šalomoun Ochrana názvů, postav a příběhů uměleckých děl, C.H. Beck Praha 2003. info
• Jiří Čermák Internet a autorské právo 3. vydání, nakladatelství Linde 2003. info
• JOHNS, Adrian. Pirátství - boje o duševní vlastnictví od Gutenberga po Gatese. 2014. info
• Milan Kundera Nechovejte se tu jako doma, příteli, Atlantis 2006. info
• KREJČÍ, Hana. Základní typy právních forem profesionálních divadel v České republice a jejich vliv na proces řízení. 2009. info

Teaching methods

Student acquires declared skills through an individual or team solution of the given problem, including the possibility to solve a fictitious project.
Student must be able to respond, prepare the solution and defend it from others, as well as respond to the solutions of others.
Student works independently with a legal texts, basic knowledge of this text is prerequisite.
Teacher introduces the problem, directs the search for the right solutions, and evaluates the proposed procedures.

Assessment methods

Student receives during an active involvement formative assessment, and is finally classified according a written test.

Language of instruction

Czech

Follow-Up Courses

• DDML207 Law III

Further Comments

The course is taught annually.

DDMZ207 Law III

Extent and Intensity

2/0/4. 2 credit(s). Type of Completion: zk (examination).

Teacher(s)

JUDr. Lenka Valová (lecturer)

Guaranteed by

prof. MgA. Blanka Chládková
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts

Timetable

Tue 12:00–13:30 104

Prerequisites

Successful completion of the subject Law I, II.

Course Enrolment Limitations

The course is only offered to the students of the study fields the course is directly associated with.

fields of study / plans the course is directly associated with

there are 6 fields of study the course is directly associated with, display

Course objectives

Objectives: To deepen knowledge of copyright (the authors' rights and the rights of performers) as well as of follow-up relations from the field of intellectual property rights protection to enable students to understand the current legislation of copyright area and to apply the legislation to specific situations in the arts according to students` comprehensive preparation and justification of the legal instruments used to solve the problem of copyright.

Learning outcomes

Knowledge:
Student will deepen the knowledge of copyright issues in the field of dramatic and musical art both from the position of author, performer, producer of sound and audio-video records, but also from the position of users. Student focuses on media law.

Skills:
Students can search for adequate ways how to use considered works of art or artistic performances, audio and audiovisual recordings. Student can find the appropriate license to ensure these user rights. In discussions with agencies and collective administrators is able to accurately formulate requirements and assess their optimality of the proposed solutions. Student knows issues of periodical and non-periodical publications as well as the legislation of television and radio broadcasting.

Competences:
Student is instructed licence holder and can arrange the required obligations for the use other holder of rights. Student understands the technology of copyright solutions of artistic creation as well as of use of objects of copyright protection from the part of an user (especially an art institution). Student can individually find an adequate form of the necessary contractual relationships between users and holders of licences and prepare appropriate license agreements. Students is so eligible to communicate with management of an art institutions and art agencies (collective administrators) to ensure copyright for the realization of artistic creation.

Syllabus

• Course content:
  Legal forms of the creation of the work of art, artistic performance and sound recording
• Licensing of the rights of use of objects under the copyright protection
• Free use issues, Creative Commons included
• Collective Management and Collective Administrators
• Authorization to issue periodicals and non-periodical publications
• Obtaining a license to broadcast

Literature

required literature
• Příslušné právní normy + používání Automatizovaného systému právních informací. info
• Elektronická verze přednášek, Valová Lenka pro příslušný akademický rok
• Jiří Srstka Autorské právo v divadle, nakladatelství NAMU 2006. info
• CHLOUPEK, Vojtěch and A KOL. Smlouvy v divadelní praxi. 1. vyd. Praha: AMU, 2013, 233 pp. Management umění - umění managementu. ISBN 978-80-7331-293-0. info
• Licenční prvky Creative Commons České republiky online www.creativecommons.cz

recommended literature
• Ivo Telec Přehled práva duševního vlastnictví 1, nakladatelství Doplněk MU 2002. info
• Ivo Telec Tvůrčí práva duševního vlastnictví, nakladatelství Doplněk MU 1994. info
• Michal Šalomoun Ochrana názvů, postav a příběhů uměleckých děl, C.H. Beck Praha 2003. info
• Jiří Čermák Internet a autorské právo 3. vydání, nakladatelství Linde 2003. info
• JOHNS, Adrian. Pirátství - boje o duševní vlastnictví od Gutenberga po Gatese. 2014. info
• Milan Kundera Nechovejte se tu jako doma, příteli, Atlantis 2006. info
• KREJČÍ, Hana. Základní typy právních forem profesionálních divadel v České republice a jejich vliv na proces řízení. 2009. info

Teaching methods

Student acquires declared skills through an individual or team solution of the given problem, including the possibility to solve a fictitious project.
Student must be able to respond, prepare the solution and defend it from others, as well as respond to the solutions of others.
Student works independently with a legal texts, basic knowledge of this text is prerequisite.
Teacher introduces the problem, directs the search for the right solutions, and evaluates the proposed procedures.

Assessment methods

Student receives during an active involvement formative assessment, and is finally classified according a written test.

Language of instruction

Czech

Follow-Up Courses

• DDML207 Law III

Further Comments

The course is taught annually.

DDMZ207 Law III

Extent and Intensity

2/0/4. 2 credit(s). Type of Completion: zk (examination).

Teacher(s)

JUDr. Lenka Valová (lecturer)

Guaranteed by

prof. MgA. Blanka Chládková
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts

Timetable

Tue 12:00–12:45 104, Tue 12:45–13:30 104

Prerequisites

Successful completion of the subject Law I, II.

Course Enrolment Limitations

The course is only offered to the students of the study fields the course is directly associated with.

fields of study / plans the course is directly associated with

• Theatre Management focusing on production management (programme DIFA, B-DRAUM)
• Theatre Management (programme DIFA, Div_Pro:B)

Course objectives

Objectives: To deepen knowledge of copyright (the authors' rights and the rights of performers) as well as of follow-up relations from the field of intellectual property rights protection to enable students to understand the current legislation of copyright area and to apply the legislation to specific situations in the arts according to students` comprehensive preparation and justification of the legal instruments used to solve the problem of copyright.

Learning outcomes

Knowledge:
Student will deepen the knowledge of copyright issues in the field of dramatic and musical art both from the position of author, performer, producer of sound and audio-video records, but also from the position of users. Student focuses on media law.

Skills:
Students can search for adequate ways how to use considered works of art or artistic performances, audio and audiovisual recordings. Student can find the appropriate license to ensure these user rights. In discussions with agencies and collective administrators is able to accurately formulate requirements and assess their optimality of the proposed solutions. Student knows issues of periodical and non-periodical publications as well as the legislation of television and radio broadcasting.

Competences:
Student is instructed licence holder and can arrange the required obligations for the use other holder of rights. Student understands the technology of copyright solutions of artistic creation as well as of use of objects of copyright protection from the part of an user (especially an art institution). Student can individually find an adequate form of the necessary contractual relationships between users and holders of licences and prepare appropriate license agreements. Students is so eligible to communicate with management of an art institutions and art agencies (collective administrators) to ensure copyright for the realization of artistic creation.

Syllabus

• Course content:
  Legal forms of the creation of the work of art, artistic performance and sound recording
• Licensing of the rights of use of objects under the copyright protection
• Free use issues, Creative Commons included
• Collective Management and Collective Administrators
• Authorization to issue periodicals and non-periodical publications
• Obtaining a license to broadcast

Literature

required literature
• Příslušné právní normy + používání Automatizovaného systému právních informací. info
• Elektronická verze přednášek, Valová Lenka pro příslušný akademický rok
• Jiří Srstka Autorské právo v divadle, nakladatelství NAMU 2006. info
• CHLOUPEK, Vojtěch and A KOL. Smlouvy v divadelní praxi. 1. vyd. Praha: AMU, 2013, 233 pp. Management umění - umění managementu. ISBN 978-80-7331-293-0. info
• Licenční prvky Creative Commons České republiky online www.creativecommons.cz

recommended literature
• Ivo Telec Přehled práva duševního vlastnictví 1, nakladatelství Doplněk MU 2002. info
• Ivo Telec Tvůrčí práva duševního vlastnictví, nakladatelství Doplněk MU 1994. info
• Michal Šalomoun Ochrana názvů, postav a příběhů uměleckých děl, C.H. Beck Praha 2003. info
• Jiří Čermák Internet a autorské právo 3. vydání, nakladatelství Linde 2003. info
• JOHNS, Adrian. Pirátství - boje o duševní vlastnictví od Gutenberga po Gatese. 2014. info
• Milan Kundera Nechovejte se tu jako doma, příteli, Atlantis 2006. info
• KREJČÍ, Hana. Základní typy právních forem profesionálních divadel v České republice a jejich vliv na proces řízení. 2009. info

Teaching methods

Student acquires declared skills through an individual or team solution of the given problem, including the possibility to solve a fictitious project.
Student must be able to respond, prepare the solution and defend it from others, as well as respond to the solutions of others.
Student works independently with a legal texts, basic knowledge of this text is prerequisite.
Teacher introduces the problem, directs the search for the right solutions, and evaluates the proposed procedures.

Assessment methods

Student receives during an active involvement formative assessment, and is finally classified according a written test.

Language of instruction

Czech

Follow-Up Courses

• DDML207 Law III

Further Comments

The course is taught annually.

DDMZ207 Law III

Extent and Intensity

2/0/4. 2 credit(s). Type of Completion: zk (examination).

Teacher(s)

JUDr. Lenka Valová (lecturer)

Guaranteed by

prof. MgA. Blanka Chládková
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts

Timetable

Tue 12:00–13:30 104

Prerequisites

Successful completion of the subject Law I, II.

Course Enrolment Limitations

The course is only offered to the students of the study fields the course is directly associated with.

fields of study / plans the course is directly associated with

• Theatre Management focusing on production management (programme DIFA, B-DRAUM)

Course objectives

Objectives: To deepen knowledge of copyright (the authors' rights and the rights of performers) as well as of follow-up relations from the field of intellectual property rights protection to enable students to understand the current legislation of copyright area and to apply the legislation to specific situations in the arts according to students` comprehensive preparation and justification of the legal instruments used to solve the problem of copyright.

Learning outcomes

Knowledge:
Student will deepen the knowledge of copyright issues in the field of dramatic and musical art both from the position of author, performer, producer of sound and audio-video records, but also from the position of users. Student focuses on media law.

Skills:
Students can search for adequate ways how to use considered works of art or artistic performances, audio and audiovisual recordings. Student can find the appropriate license to ensure these user rights. In discussions with agencies and collective administrators is able to accurately formulate requirements and assess their optimality of the proposed solutions. Student knows issues of periodical and non-periodical publications as well as the legislation of television and radio broadcasting.

Competences:
Student is instructed licence holder and can arrange the required obligations for the use other holder of rights. Student understands the technology of copyright solutions of artistic creation as well as of use of objects of copyright protection from the part of an user (especially an art institution). Student can individually find an adequate form of the necessary contractual relationships between users and holders of licences and prepare appropriate license agreements. Students is so eligible to communicate with management of an art institutions and art agencies (collective administrators) to ensure copyright for the realization of artistic creation.

Syllabus

• Course content:
  Legal forms of the creation of the work of art, artistic performance and sound recording
• Licensing of the rights of use of objects under the copyright protection
• Free use issues, Creative Commons included
• Collective Management and Collective Administrators
• Authorization to issue periodicals and non-periodical publications
• Obtaining a license to broadcast

Literature

required literature
• Příslušné právní normy + používání Automatizovaného systému právních informací. info
• Elektronická verze přednášek, Valová Lenka pro příslušný akademický rok
• Jiří Srstka Autorské právo v divadle, nakladatelství NAMU 2006. info
• CHLOUPEK, Vojtěch and A KOL. Smlouvy v divadelní praxi. 1. vyd. Praha: AMU, 2013, 233 pp. Management umění - umění managementu. ISBN 978-80-7331-293-0. info
• Licenční prvky Creative Commons České republiky online www.creativecommons.cz

recommended literature
• Ivo Telec Přehled práva duševního vlastnictví 1, nakladatelství Doplněk MU 2002. info
• Ivo Telec Tvůrčí práva duševního vlastnictví, nakladatelství Doplněk MU 1994. info
• Michal Šalomoun Ochrana názvů, postav a příběhů uměleckých děl, C.H. Beck Praha 2003. info
• Jiří Čermák Internet a autorské právo 3. vydání, nakladatelství Linde 2003. info
• JOHNS, Adrian. Pirátství - boje o duševní vlastnictví od Gutenberga po Gatese. 2014. info
• Milan Kundera Nechovejte se tu jako doma, příteli, Atlantis 2006. info
• KREJČÍ, Hana. Základní typy právních forem profesionálních divadel v České republice a jejich vliv na proces řízení. 2009. info

Teaching methods

Student acquires declared skills through an individual or team solution of the given problem, including the possibility to solve a fictitious project.
Student must be able to respond, prepare the solution and defend it from others, as well as respond to the solutions of others.
Student works independently with a legal texts, basic knowledge of this text is prerequisite.
Teacher introduces the problem, directs the search for the right solutions, and evaluates the proposed procedures.

Assessment methods

Student receives during an active involvement formative assessment, and is finally classified according a written test.

Language of instruction

Czech

Follow-Up Courses

• DDML207 Law III

Further Comments

The course is taught annually.

DDMZ207 Law for Managers III

Extent and Intensity

2/0/4. 2 credit(s). Type of Completion: zk (examination).

Teacher(s)

JUDr. Lenka Valová (lecturer)

Guaranteed by

prof. MgA. Blanka Chládková
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts

Timetable

Tue 12:00–13:30 104

Prerequisites

EVER ( DDML207 Law for Managers III )
* Summer semester Credit based on attendance

Course Enrolment Limitations

The course is only offered to the students of the study fields the course is directly associated with.

fields of study / plans the course is directly associated with

• Theatre Management focusing on management and technology (programme DIFA, B-DRAUM)
• Theatre Management focusing on Production (programme DIFA, N-DRAUM)
• Theatre Management focusing on production management (programme DIFA, B-DRAUM)
• Music Management (programme HF, B-HUDUM)
• Stage Technology (programme DIFA, B-DRAUM)

Course objectives

Objectives: To acquaint students with the rights of authors and performers' rights, as well as downstream relations in the field of protection of intellectual property rights so as to be able to understand the current legislation copyright area and was able to apply the law to specific situations in the arts. Descriptors: Knowledge: Students will acquire basic overview of copyright issues in the field of dramatic and musical arts from the position of the author, performer, maker of audio and video recordings, but also uživatele.Orientuje in oblasdti media law. Skills: Students can search for adequate use options considered works or artistic performances, audio and audiovisual recordings. Can find the appropriate license to ensure these user rights. In discussions with agencies and collective administrators are able to accurately formulate requirements and assess their optimality of the proposed issue řešení.Ovládá issuing periodical and non-periodical publications, oriented to the right of television and radio broadcasts. Competence: Is instructed bearer copyright permissions and can arrange the required obligations for the use of the rights of another.Student comprehension and control technology solutions as copyright creation and use of objects of copyright protection for the user (especially art institution). She can both individually find an adequate form the necessary contractual relationships between users and carriers autorskolprávních permissions and prepare appropriate license agreement. He is so knowledgeable eligible for communicating with management, art institutions and art agencies (collective administrators) when the copyright ensuring the realization of artistic creation.

Syllabus

• Course content: creative intellectual property rights - Introduction Copyright - subject and object Copyright protection license Agreement Rights related to copyright right performers rights of phonogram producers, producers' right audiovisual recordings, right radio and television broadcaster, the right publisher collective management of copyright media law - aperiodic and periodic publications Law on Broadcasting

Literature

required literature
• Příslušné právní normy + používání Automatizovaného systému právních informací. info
• Elektronická verze přednášek, Valová Lenka pro příslušný akademický rok
• Jiří Srstka Autorské právo v divadle, nakladatelství NAMU 2006. info
• KREJČÍ, Hana. Základní typy právních forem profesionálních divadel v České republice a jejich vliv na proces řízení. 2009. info
• Licenční prvky Creative Commons České republiky online www.creativecommons.cz

recommended literature
• Ivo Telec Přehled práva duševního vlastnictví 1, nakladatelství Doplněk MU 2002. info
• Ivo Telec Tvůrčí práva duševního vlastnictví, nakladatelství Doplněk MU 1994. info
• Michal Šalomoun Ochrana názvů, postav a příběhů uměleckých děl, C.H. Beck Praha 2003. info
• Jiří Čermák Internet a autorské právo 3. vydání, nakladatelství Linde 2003. info
• Milan Kundera Nechovejte se tu jako doma, příteli, Atlantis 2006. info
• JOHNS, Adrian. Pirátství - boje o duševní vlastnictví od Gutenberga po Gatese. 2014. info

not specified
• Chloupek, Košut, Srstka Smlouvy v divadelní praxi, NAMU 2013

Teaching methods

Lecture associated with self-study leading to the acquisition of the ability to work with legal texts, advanced heuristic methods - analysis of the problem, find solutions and design.

Assessment methods

Student receives an active involvement in teaching ongoing formative assessment oreintce, summatively is evaluated by a written test.

Language of instruction

Czech

Further comments (probably available only in Czech)

The course is taught annually.
Information on course enrolment limitations: Pro úspěšný zápis předmětu si zaregistrujte též odpovídající předmět v letním semestru (podle předpokladu "EVER")

DDMZ207 Law for Managers III

Extent and Intensity

2/0/4. 3 credit(s). Type of Completion: zk (examination).

Teacher(s)

JUDr. Lenka Valová (lecturer)

Guaranteed by

prof. MgA. Blanka Chládková
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts

Timetable

Tue 12:00–13:30 104

Prerequisites

EVER ( DDML207 Law for Managers III )
* Summer semester Credit based on attendance

Course Enrolment Limitations

The course is only offered to the students of the study fields the course is directly associated with.

fields of study / plans the course is directly associated with

• Theatre Management focusing on production management (programme DIFA, B-DRAUM)
• Music Management (programme HF, B-HUDUM)

Course objectives

Objectives: To acquaint students with the rights of authors and performers' rights, as well as downstream relations in the field of protection of intellectual property rights so as to be able to understand the current legislation copyright area and was able to apply the law to specific situations in the arts. Descriptors: Knowledge: Students will acquire basic overview of copyright issues in the field of dramatic and musical arts from the position of the author, performer, maker of audio and video recordings, but also uživatele.Orientuje in oblasdti media law. Skills: Students can search for adequate use options considered works or artistic performances, audio and audiovisual recordings. Can find the appropriate license to ensure these user rights. In discussions with agencies and collective administrators are able to accurately formulate requirements and assess their optimality of the proposed issue řešení.Ovládá issuing periodical and non-periodical publications, oriented to the right of television and radio broadcasts. Competence: Is instructed bearer copyright permissions and can arrange the required obligations for the use of the rights of another.Student comprehension and control technology solutions as copyright creation and use of objects of copyright protection for the user (especially art institution). She can both individually find an adequate form the necessary contractual relationships between users and carriers autorskolprávních permissions and prepare appropriate license agreement. He is so knowledgeable eligible for communicating with management, art institutions and art agencies (collective administrators) when the copyright ensuring the realization of artistic creation.

Syllabus

• Course content: creative intellectual property rights - Introduction Copyright - subject and object Copyright protection license Agreement Rights related to copyright right performers rights of phonogram producers, producers' right audiovisual recordings, right radio and television broadcaster, the right publisher collective management of copyright media law - aperiodic and periodic publications Law on Broadcasting

Literature

required literature
• Příslušné právní normy + používání Automatizovaného systému právních informací. info
• Elektronická verze přednášek, Valová Lenka pro příslušný akademický rok
• Jiří Srstka Autorské právo v divadle, nakladatelství NAMU 2006. info
• KREJČÍ, Hana. Základní typy právních forem profesionálních divadel v České republice a jejich vliv na proces řízení. 2009. info
• Licenční prvky Creative Commons České republiky online www.creativecommons.cz

recommended literature
• Ivo Telec Přehled práva duševního vlastnictví 1, nakladatelství Doplněk MU 2002. info
• Ivo Telec Tvůrčí práva duševního vlastnictví, nakladatelství Doplněk MU 1994. info
• Michal Šalomoun Ochrana názvů, postav a příběhů uměleckých děl, C.H. Beck Praha 2003. info
• Jiří Čermák Internet a autorské právo 3. vydání, nakladatelství Linde 2003. info
• Milan Kundera Nechovejte se tu jako doma, příteli, Atlantis 2006. info
• JOHNS, Adrian. Pirátství - boje o duševní vlastnictví od Gutenberga po Gatese. 2014. info

not specified
• Chloupek, Košut, Srstka Smlouvy v divadelní praxi, NAMU 2013

Teaching methods

Lecture associated with self-study leading to the acquisition of the ability to work with legal texts, advanced heuristic methods - analysis of the problem, find solutions and design.

Assessment methods

Student receives an active involvement in teaching ongoing formative assessment oreintce, summatively is evaluated by a written test.

Language of instruction

Czech

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.
Information on course enrolment limitations: Pro úspěšný zápis předmětu si zaregistrujte též odpovídající předmět v letním semestru (podle předpokladu "EVER")

DDMZ207 Law for Managers III

Extent and Intensity

2/0/4. 3 credit(s). Type of Completion: zk (examination).

Teacher(s)

JUDr. Lenka Valová (lecturer)

Guaranteed by

prof. MgA. Blanka Chládková
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts

Timetable

Tue 12:00–13:30 104

Prerequisites

EVER ( DDML207 Law for Managers III )
* Summer semester Credit based on attendance

Course Enrolment Limitations

The course is only offered to the students of the study fields the course is directly associated with.

fields of study / plans the course is directly associated with

• Theatre Management focusing on production management (programme DIFA, B-DRAUM)
• Music Management (programme HF, B-HUDUM)

Course objectives

Objectives: To acquaint students with the rights of authors and performers' rights, as well as downstream relations in the field of protection of intellectual property rights so as to be able to understand the current legislation copyright area and was able to apply the law to specific situations in the arts. Descriptors: Knowledge: Students will acquire basic overview of copyright issues in the field of dramatic and musical arts from the position of the author, performer, maker of audio and video recordings, but also uživatele.Orientuje in oblasdti media law. Skills: Students can search for adequate use options considered works or artistic performances, audio and audiovisual recordings. Can find the appropriate license to ensure these user rights. In discussions with agencies and collective administrators are able to accurately formulate requirements and assess their optimality of the proposed issue řešení.Ovládá issuing periodical and non-periodical publications, oriented to the right of television and radio broadcasts. Competence: Is instructed bearer copyright permissions and can arrange the required obligations for the use of the rights of another.Student comprehension and control technology solutions as copyright creation and use of objects of copyright protection for the user (especially art institution). She can both individually find an adequate form the necessary contractual relationships between users and carriers autorskolprávních permissions and prepare appropriate license agreement. He is so knowledgeable eligible for communicating with management, art institutions and art agencies (collective administrators) when the copyright ensuring the realization of artistic creation.

Syllabus

• Course content: creative intellectual property rights - Introduction Copyright - subject and object Copyright protection license Agreement Rights related to copyright right performers rights of phonogram producers, producers' right audiovisual recordings, right radio and television broadcaster, the right publisher collective management of copyright media law - aperiodic and periodic publications Law on Broadcasting

Literature

required literature
• Příslušné právní normy + používání Automatizovaného systému právních informací. info
• Elektronická verze přednášek, Valová Lenka pro příslušný akademický rok
• Jiří Srstka Autorské právo v divadle, nakladatelství NAMU 2006. info
• KREJČÍ, Hana. Základní typy právních forem profesionálních divadel v České republice a jejich vliv na proces řízení. 2009. info
• Licenční prvky Creative Commons České republiky online www.creativecommons.cz

recommended literature
• Ivo Telec Přehled práva duševního vlastnictví 1, nakladatelství Doplněk MU 2002. info
• Ivo Telec Tvůrčí práva duševního vlastnictví, nakladatelství Doplněk MU 1994. info
• Michal Šalomoun Ochrana názvů, postav a příběhů uměleckých děl, C.H. Beck Praha 2003. info
• Jiří Čermák Internet a autorské právo 3. vydání, nakladatelství Linde 2003. info
• Milan Kundera Nechovejte se tu jako doma, příteli, Atlantis 2006. info
• JOHNS, Adrian. Pirátství - boje o duševní vlastnictví od Gutenberga po Gatese. 2014. info

not specified
• Chloupek, Košut, Srstka Smlouvy v divadelní praxi, NAMU 2013

Teaching methods

Lecture associated with self-study leading to the acquisition of the ability to work with legal texts, advanced heuristic methods - analysis of the problem, find solutions and design.

Assessment methods

Student receives an active involvement in teaching ongoing formative assessment oreintce, summatively is evaluated by a written test.

Language of instruction

Czech

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.
Information on course enrolment limitations: Pro úspěšný zápis předmětu si zaregistrujte též odpovídající předmět v letním semestru (podle předpokladu "EVER")

DDMZ207 Law for Managers III

Extent and Intensity

2/0/4. 3 credit(s). Type of Completion: zk (examination).

Teacher(s)

JUDr. Lenka Valová (lecturer)

Guaranteed by

prof. MgA. Blanka Chládková
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts

Timetable

Tue 12:00–13:30 104, Mon 5. 10. to Fri 22. 1. Tue 12:00–13:30 104

Prerequisites

EVER ( DDML207 Law for Managers III )
* Summer semester Credit based on attendance

Course Enrolment Limitations

The course is only offered to the students of the study fields the course is directly associated with.

fields of study / plans the course is directly associated with

• Theatre Management focusing on production management (programme DIFA, B-DRAUM)
• Music Management (programme HF, B-HUDUM)

Course objectives

Objectives: To acquaint students with the rights of authors and performers' rights, as well as downstream relations in the field of protection of intellectual property rights so as to be able to understand the current legislation copyright area and was able to apply the law to specific situations in the arts. Descriptors: Knowledge: Students will acquire basic overview of copyright issues in the field of dramatic and musical arts from the position of the author, performer, maker of audio and video recordings, but also uživatele.Orientuje in oblasdti media law. Skills: Students can search for adequate use options considered works or artistic performances, audio and audiovisual recordings. Can find the appropriate license to ensure these user rights. In discussions with agencies and collective administrators are able to accurately formulate requirements and assess their optimality of the proposed issue řešení.Ovládá issuing periodical and non-periodical publications, oriented to the right of television and radio broadcasts. Competence: Is instructed bearer copyright permissions and can arrange the required obligations for the use of the rights of another.Student comprehension and control technology solutions as copyright creation and use of objects of copyright protection for the user (especially art institution). She can both individually find an adequate form the necessary contractual relationships between users and carriers autorskolprávních permissions and prepare appropriate license agreement. He is so knowledgeable eligible for communicating with management, art institutions and art agencies (collective administrators) when the copyright ensuring the realization of artistic creation.

Syllabus

• Course content: creative intellectual property rights - Introduction Copyright - subject and object Copyright protection license Agreement Rights related to copyright right performers rights of phonogram producers, producers' right audiovisual recordings, right radio and television broadcaster, the right publisher collective management of copyright media law - aperiodic and periodic publications Law on Broadcasting

Literature

required literature
• Příslušné právní normy + používání Automatizovaného systému právních informací. info
• Elektronická verze přednášek, Valová Lenka pro příslušný akademický rok
• Jiří Srstka Autorské právo v divadle, nakladatelství NAMU 2006. info
• KREJČÍ, Hana. Základní typy právních forem profesionálních divadel v České republice a jejich vliv na proces řízení. 2009. info
• Licenční prvky Creative Commons České republiky online www.creativecommons.cz

recommended literature
• Ivo Telec Přehled práva duševního vlastnictví 1, nakladatelství Doplněk MU 2002. info
• Ivo Telec Tvůrčí práva duševního vlastnictví, nakladatelství Doplněk MU 1994. info
• Michal Šalomoun Ochrana názvů, postav a příběhů uměleckých děl, C.H. Beck Praha 2003. info
• Jiří Čermák Internet a autorské právo 3. vydání, nakladatelství Linde 2003. info
• Milan Kundera Nechovejte se tu jako doma, příteli, Atlantis 2006. info
• JOHNS, Adrian. Pirátství - boje o duševní vlastnictví od Gutenberga po Gatese. 2014. info

not specified
• Chloupek, Košut, Srstka Smlouvy v divadelní praxi, NAMU 2013

Teaching methods

Lecture associated with self-study leading to the acquisition of the ability to work with legal texts, advanced heuristic methods - analysis of the problem, find solutions and design.

Assessment methods

Student receives an active involvement in teaching ongoing formative assessment oreintce, summatively is evaluated by a written test.

Language of instruction

Czech

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.
Information on course enrolment limitations: Pro úspěšný zápis předmětu si zaregistrujte též odpovídající předmět v letním semestru (podle předpokladu "EVER")

DDMZ207 Law for Managers III

Extent and Intensity

2/0/4. 3 credit(s). Type of Completion: zk (examination).

Teacher(s)

JUDr. Lenka Valová (lecturer)

Guaranteed by

doc. Mgr. Jan Kolegar
Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts
Supplier department: Theatre Management and Stage Technology Department – Dean’s Office – Theatre Faculty – Janáček Academy of Performing Arts

Prerequisites

EVER ( DDML207 Law for Managers III )
* Summer semester Credit based on attendance

Course Enrolment Limitations

The course is only offered to the students of the study fields the course is directly associated with.

fields of study / plans the course is directly associated with

• Theatre Management focusing on production management (programme DIFA, B-DRAUM)
• Music Management (programme HF, B-HUDUM)

Course objectives

Objectives: To acquaint students with the rights of authors and performers' rights, as well as downstream relations in the field of protection of intellectual property rights so as to be able to understand the current legislation copyright area and was able to apply the law to specific situations in the arts. Descriptors: Knowledge: Students will acquire basic overview of copyright issues in the field of dramatic and musical arts from the position of the author, performer, maker of audio and video recordings, but also uživatele.Orientuje in oblasdti media law. Skills: Students can search for adequate use options considered works or artistic performances, audio and audiovisual recordings. Can find the appropriate license to ensure these user rights. In discussions with agencies and collective administrators are able to accurately formulate requirements and assess their optimality of the proposed issue řešení.Ovládá issuing periodical and non-periodical publications, oriented to the right of television and radio broadcasts. Competence: Is instructed bearer copyright permissions and can arrange the required obligations for the use of the rights of another.Student comprehension and control technology solutions as copyright creation and use of objects of copyright protection for the user (especially art institution). She can both individually find an adequate form the necessary contractual relationships between users and carriers autorskolprávních permissions and prepare appropriate license agreement. He is so knowledgeable eligible for communicating with management, art institutions and art agencies (collective administrators) when the copyright ensuring the realization of artistic creation.

Syllabus

• Course content: creative intellectual property rights - Introduction Copyright - subject and object Copyright protection license Agreement Rights related to copyright right performers rights of phonogram producers, producers' right audiovisual recordings, right radio and television broadcaster, the right publisher collective management of copyright media law - aperiodic and periodic publications Law on Broadcasting

Literature

required literature
• Příslušné právní normy + používání Automatizovaného systému právních informací. info
• Elektronická verze přednášek, Valová Lenka pro příslušný akademický rok
• Jiří Srstka Autorské právo v divadle, nakladatelství NAMU 2006. info
• KREJČÍ, Hana. Základní typy právních forem profesionálních divadel v České republice a jejich vliv na proces řízení. 2009. info
• Licenční prvky Creative Commons České republiky online www.creativecommons.cz

recommended literature
• Ivo Telec Přehled práva duševního vlastnictví 1, nakladatelství Doplněk MU 2002. info
• Ivo Telec Tvůrčí práva duševního vlastnictví, nakladatelství Doplněk MU 1994. info
• Michal Šalomoun Ochrana názvů, postav a příběhů uměleckých děl, C.H. Beck Praha 2003. info
• Jiří Čermák Internet a autorské právo 3. vydání, nakladatelství Linde 2003. info
• Milan Kundera Nechovejte se tu jako doma, příteli, Atlantis 2006. info
• JOHNS, Adrian. Pirátství - boje o duševní vlastnictví od Gutenberga po Gatese. 2014. info

not specified
• Chloupek, Košut, Srstka Smlouvy v divadelní praxi, NAMU 2013

Teaching methods

Lecture associated with self-study leading to the acquisition of the ability to work with legal texts, advanced heuristic methods - analysis of the problem, find solutions and design.

Assessment methods

Student receives an active involvement in teaching ongoing formative assessment oreintce, summatively is evaluated by a written test.

Language of instruction

Czech

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.
The course is taught: every week.
Information on course enrolment limitations: Pro úspěšný zápis předmětu si zaregistrujte též odpovídající předmět v letním semestru (podle předpokladu "EVER")

• Enrolment Statistics (recent)