Passing the study plan

The state final examination in the study programme Multimedia Creation in the bachelor's degree consists of:
- public performance or exposition and defense of the graduate multimedia performance / work (project, composition, realization in public space ..)
- writing, submission and defense of a bachelor's thesis in the form of a professional essay of min. 20 standard pages of text without attachments,
- exams from: History of Music and Fine Arts, Theory of Multimedia Creation and Theory of Composition

The bachelor's graduate performance or exposition consists of the implementation of an interdisciplinary composition, usually in the form of a comprehensive and informative musical-visual installation, interactive environment, concert, film or theater performance, etc. The technical and artistic level of all components is significantly elaborated and follows current artistic trends. The student consults all parameters of the work with the supervisor of the graduate performance, or with another professional consultant or technologist. Consultations concern the music, art, movement and stage components, technical, etc. The graduate performance can be realized in the HF Chamber Hall, in the corridors of the HF building, in the DnO hall or rehearsal rooms and in other suitable spaces .). The time range is set at a minimum of 15 minutes of necessary audience attention.

The evaluation of the graduate performance or exposition includes the profile of the graduate prepared by the supervisor of the outcome, a written opinion of the opponent of the graduate performance, defense of the graduate performance or exposition at the state final examination and possible feedback of participating students and spectators (especially from the professional public).

Students are obliged to present their multimedia works and compositions at concerts and stage performances, for example in the Studies of Contemporary Music, at festivals, exhibitions and creative workshops, occasionally in public spaces. Implementation and public presentation of compulsory study outcomes under the supervision of a teacher is not only a demonstration of acquired practical skills, but also a demonstration of competencies using the necessary knowledge and orientation in current events in the field. Cooperation with other components of the creative team in the creation of interdisciplinary, inter-faculty and inter-school projects, obtaining feedback and reflection on implementation issues within the seminar, etc. also contribute to the student's professional experience. Assessment methods are in accordance with the planned learning outcomes and lead to the achievement of the required graduate profile. All requirements for study outcomes are listed in the syllabus of the course; they are set up to lead to the gradual acquisition of knowledge, skills and competencies assumed by the graduate of the study program.

Multimedia project for public space in the context of Czech art after 1990
Principles of composing a complex work of art
Chamber opera of the second half of the 20th century. as a multimedia work
Music for film or stage production of a specific author
Typology of multimedia expression in authentic art work
Principles and means of expression of experimental film and video art
Definition of spatial situation by sound
Sound design and musical composition in space
Use of granular synthesis in audiovisual production
Harmony or Music of the spheres - cosmological themes in artistic creation
Means of expression of spatial creation based on the musical components
Sound and space in the context of EAH creation
Changes in music reception in the context of electronic media

Defended works:
Creative approaches to vocal improvisation
The principle of coincidence in music
Adaptive sound design
Music in document, document in music
Narration of Sound : compositional strategies of electronic music
Hyperstructurality in the composition of a musical or multimedia work
User interface as a way to control digital musical instruments
Numerical system in musical composition
ANTRO theoretical and methodological anchoring of an author's film based on its own work and artistic experience
Creative approaches to using field recordings in audiovisual art

These topics are constantly updated on the basis of a combination of professional knowledge of master's degree teachers teaching the main field, the direction of the entire study program and, last but not least, the department and its interdisciplinary focus.